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graces (2013)
Emily Rose, Bunny Lynch, Marianna



by Dan Smith | thePhotosmith.com | prints | contact | ©

graces (2013)

Emily Rose, Bunny LynchMarianna

A behind the scenes image from the beginning of yesterday’s epic photoshoot with Bunny, Kitty, Roseblood, Mary Anne and Michael O’Neill.



by Dan Smith | thePhotosmith.com | prints | contact | ©

A behind the scenes image from the beginning of yesterday’s epic photoshoot with Bunny, Kitty, Roseblood, Mary Anne and Michael O’Neill.

kumquatsessions: Do you have a story about being walked-up upon, while on a nude shoot? Sorry, but I am already giggling about what I am imagining to be your response.

I’ve had people walk-up on photoshoots twice.

The first time was with Leah Ashley, early on a very foggy Tuesday morning, during a river shoot. She had just slipped off her swimsuit bottoms and had climbed up on a large flat rock, when she just froze, staring over my shoulder. I turned around, and on the far bank was a woman walking her dogs.

Leah Ashley - Retrospective
retrospective (2011)

“Sorry, we’ll leave, right now. We didn’t think we’d bother anyone, this early,” I called to her, already starting to wade back to the shore. “Don’t worry about it — it’s art and she’s beautiful,” and with that, the woman continued with her dogs. We made probably 5-10 more photos and took off. (In fairness, it was cold and I had to get to my day job.)

The other time was during my most recent photoshoot with Keira Grant — we’d gone out to one of my favorite locations, and found a set of keys sitting atop the giant rock that features in so many of the photos from that shoot. I assumed that someone had dropped them and that another hiker had found them and placed them in a highly visible location.

Keira Grant by Dan Smith

We had been shooting, at sunset for about 10-15 minutes when Keira says, “there’s someone running towards us.” I suggested she step back into the tall grass, since there wasn’t time to get to her clothes. “Nah.”

The runner jogs up, Keira steps out, nude, and says, “does it bother you if we keep photographing?” He kind of does a double-take and says, “not at all. I’m cool with it,” and keeps running down the path (though his next lap was much faster).

I’ve had other close-calls — yesterday’s photoshoot was spent largely dodging fishermen (canoes are quiet) — but those are the only times I’ve actually been spotted. For the most part, at least in this area, people are fairly open-minded, so long as the intent is clearly artistic.

   ♥ 15 notes     April 22, 2013    ⟲ Reblog    Tags:
rockin’-out (2012)
Joey Rue (MM# 2313272)


by Dan Smith | thePhotosmith.com | prints | contact | ©

rockin’-out (2012)

Joey Rue (MM# 2313272)

A Day in the Life (2013)
by Dan Smith | thePhotosmith.com | prints | contact | ©
Behind the scenes with Bunny Lynch (left), Michael O’Neill (center) and Ashton Johnson (right), from Sunday.
Michael is utilizing a 5D Mark II attached to a motion-control rig and Ashton is filming B-roll for an upcoming project that I’ve yet to announce.
If you want to be kept in the loop, friend me on Facebook, like my Facebook page, or follow me on Twitter.  (I’m tipping my hand, a little, but you can alternatively follow me on Kickstarter).

A Day in the Life (2013)

by Dan Smith | thePhotosmith.com | prints | contact | ©

Behind the scenes with Bunny Lynch (left), Michael O’Neill (center) and Ashton Johnson (right), from Sunday.

Michael is utilizing a 5D Mark II attached to a motion-control rig and Ashton is filming B-roll for an upcoming project that I’ve yet to announce.

If you want to be kept in the loop, friend me on Facebook, like my Facebook page, or follow me on Twitter. (I’m tipping my hand, a little, but you can alternatively follow me on Kickstarter).

Protip

When shooting a POV self portrait, it’s much easier to hold an iPhone in your teeth, than a 1D Mark III.

It may even look less embarrassing when the doctor walks in and catches you doing it.

   ♥ 6 notes     February 10, 2013    ⟲ Reblog    Tags:
gunstreet: I've noticed a lot of your nude photos are in nature – how easy or difficult is it for you to safely shoot nudes outdoors? I've always wanted to, but living where I live it seems like any nice natural spot that's not treacherous to get to is either a public park or popular hiking spot, and I worry about being seen and consequently upsetting passersby. Do you have someone on lookout, or do you go to rural areas, or just have good luck?

I like getting out of the studio — which can feel very limiting and boring, after a while.

Some of the locations are private property, where I’ve sought and received the expressed permission (and property releases), from the owners, to shoot there.

Some of the locations are public lands, which I have scouted extensively, both to ensure that there are interesting settings and that there is relatively little chance of being stumbled upon. (That said, I’ve had someone walk into a shoot on two separate occasions, but given that the intent is definitely art and not titillation, they’ve been cool about it.)

Some of the locations are public and a bit more exposed than I’d like, but being efficient and collaborating with models with whom I know can work quickly and carefully have kept us out of trouble.

Another key is going when you know there isn’t going to be a crowd — early on weekday mornings, in the rain (waterproof gear bags are a must for location shoots), or the dead of winter. It isn’t glamorous, it isn’t usually comfortable, but you’ve got to do what it takes, if you want to make something that stands out.

The fact that I grew up in Durham and have spent all but 10 years of my life in this area has definitely helped me figure out where to start looking, but every location I use still represents 3-4 hours, at least, of time spent scouting, not to mention gas money and time away from my 9-5 job and family. (Then, there’s the locations that either didn’t pan out, or the owners would not allow nudes to be shot on their property.)

For the most part, I’m usually happy to show another photographer where some of my locations are — but they have to be willing to hoof it out there, with me (or assist me on a location shoot) and they have to understand the degree of discretion and care they need to use when shooting at these places — I know a few photogs and models who have been cited for trespassing and/or indecent exposure; the latter would permanently end my career in higher education.

   ♥ 8 notes     January 3, 2013    ⟲ Reblog    Tags:


Hard at work on the video incentive for my new Zivity set with Spiro, ‘Unbearable Lightness of Being.’
Spiro Scindo (MM# 553424 | tumblr )
by Dan Smith | thePhotosmith.com | prints | contact | ©
Print Giveaway!

Hard at work on the video incentive for my new Zivity set with Spiro, ‘Unbearable Lightness of Being.’

Spiro Scindo (MM# 553424 | tumblr )

by Dan Smith | thePhotosmith.com | prints | contact | ©

Print Giveaway!

As promised, since some of you were nice-enough to leave out milk and cookies — an outtake from my new Zivity set with Spiro, ‘Unbearable Lightness of Being.’


Spiro Scindo (MM# 553424 | tumblr )
by Dan Smith | thePhotosmith.com | prints | contact | ©
Print Giveaway!

As promised, since some of you were nice-enough to leave out milk and cookies — an outtake from my new Zivity set with Spiro, ‘Unbearable Lightness of Being.’

Spiro Scindo (MM# 553424 | tumblr )

by Dan Smith | thePhotosmith.com | prints | contact | ©

Print Giveaway!

@elliecaswell. #pureawesome #gobo  (at Photosmith Studios)
Ellie Caswell (MM# 2824193 | tumblr)
by Dan Smith | thePhotosmith.com | prints | contact | ©
Print Giveaway!

@elliecaswell. #pureawesome #gobo  (at Photosmith Studios)

Ellie Caswell (MM# 2824193 | tumblr)

by Dan Smith | thePhotosmith.com | prints | contact | ©

Print Giveaway!

Ellie’s written something wonderful on her tumblr.
Yes, the image is related.
Read it. Now.

Ellie’s written something wonderful on her tumblr.

Yes, the image is related.

Read it. Now.

[sneak peeks from two shoots]

I’m probably going to start selling prints.

Thoughts?

Requests?

day light (2012)
Cam Damage (MM#1610131 | tumblr)
by Dan Smith | thePhotosmith.com | contact | ©

day light (2012)

Cam Damage (MM#1610131 | tumblr)

by Dan Smith | thePhotosmith.com | contact | ©

Bunny photographing Cam Damage (MM#1610131 | tumblr) and Misanthropic Cuttlefish
by Dan Smith | thePhotosmith.com | contact | ©

Bunny photographing Cam Damage (MM#1610131 | tumblr) and Misanthropic Cuttlefish

by Dan Smith | thePhotosmith.com | contact | ©

Behind the Scenes Peek
Katy T MM#11311
by Dan Smith | thePhotosmith.com | contact | ©

Behind the Scenes Peek

Katy T MM#11311

by Dan Smith | thePhotosmith.com | contact | ©

THEME BY PHOTOSMITH, BASED ON PARTI